“Poet by nature and street photographer by perspective, author Jennifer Payne turns to the curious thematic image of a flosser to make an arresting statement in her new book about our world and about how, in so many ways, we influence its being. The thought of marrying a cast-off dental apparatus with such discordant thoughts as the randomness of salvation, or whether spiders sing or god flosses, struck me at first as odd, incongruous at best. But after reading the opening words of Evidence of Flossing: What We Leave Behind, I was caught…” – Mary O’Connor
Today, I’m a guest blogger on CMash Reads, sharing my thoughts on… FINDING INSPIRATION When I told a friend last spring that I was writing a poem a day for National Poetry Month, she asked me how I found the inspiration for 30 poems. “It’s like rummaging around in a junk drawer,” I told her. […]
“I was so impressed with this book. It conveyed a beauty and yet sadness at the same time. I could sense the spiritual struggle within the poetry and a reflection of the world around (and the masks society often puts forward). This book is definitely a conversation piece and I can’t wait to share it with others.” — Nicole Pyles, World of My Imagination
“Payne’s other work as an essayist is evident in many of the narrative poems. Strong sense of place and point of view carry the individual poems as a cohesive whole. This collection is one I will turn to again and again. I anticipate greater appreciation for this thoughtful collection each time.” — Tara Huck, Words, Crazy Words
It is no surprise that for the two nights since reading Kin Types, I have had vivid dreams of my own family. It is no surprise because Luanne Castle’s thought-full book presents the concept of family in such a palpable manner, one feels as if you have sat across the table from an aunt, a grandmother, a cousin, and heard family stories that could very well be your own.
Layered with poems and prose, you turn a page to reveal the next colorful character, the faded memory, the texture of a detail only a poet would think to include. The result is a beautiful collage of the family experience — its loves and losses, its joys and sorrows, its tragedies and secrets.
How clever of Castle to include the modern-day theory of behavioral epigenetics, essentially we are that collage, we are the stories, they are in our DNA. It is the premise of the book, and holds its own from the opening epigraph by Liam Callanan (The Cloud Atlas) to the final, beautiful poem “When Your Grandfather Shows You Photographs of His Mother.”
Speaking of photographs, do make note of the woman on the front cover, her knowing glance to the author’s photo on the back. Is this the forebear who whispers “Don’t quit writing like I did”?
No matter, we are happy Castle heeded the advice.